10 Must-Watch Movies Streaming in April

As the year turns to April, many excellent new movie releases are available to stream on various platforms. However, finding the movie that best suits your needs on streaming services may be overwhelming. This article delved through the collection to compile a selection of ten of the best movies accessible for streaming in April, ranging from classics to recent releases.

Netflix

Her

“Her” is a sci-fi romantic thriller starred by Joaquin Phoenix, who plays Theodore Twombly, who falls for an artificial intelligence operating system, Samantha. Spike Jonze’s artistic tribute to the interlocking influences of love and technology, set in an unsettling future, is a comic and touching encounter whose clarity will linger with you even after the movie ends.

Apollo 10½: A Space Age Childhood

In the stunning rotoscope animation style of Richard Linklater, Apollo 10½ tells the history of the first lunar landing mission from two viewpoints: the astronaut and command center and a Texas kid following as it all unfolds on TV. The movie is based on Linklater’s personal experiences and acts as a soothing, often provocative glimpse of 1960s America.

Inception

This April, Christopher Nolan’s mind-bending film “Inception” returns to the screens. Leonardo DiCaprio helms the cast as a sad widower charged with penetrating a billionaire’s brain to commit a dream robbery. The movie’s intricate dream-diving concept makes watching extremely satisfying.

Nightcrawler

“Nightcrawler” is Dan Gilroy’s harrowing depiction of greed, morality, and ethics, starred by Jake Gyllenhaal, who plays Lou Bloom, a freelance video journalist. The robber-turned-journalist captures the attention of a local Los Angeles TV news outfit hungry for lurid content with his recordings of crime scenes.

Hulu

Eyes Wide Shut

Tom Cruise and Nicole Kidman play husband and wife in a crisis in Stanley Kubrick’s erotic psychological drama. Cruise becomes fascinated with seeking his random sexual encounters outside of marriage after the wife confesses to having desires about a serviceman she met over a year ago. The movie is a beautiful blend of overwhelming stateliness and occasionally great intimacy.

Compliance

“Compliance,” Craig Zobel’s spine-chilling thriller, explores issues concerning the atrocity of authority, the police mentality, women exploitation, and consent. The movie is centered on the true story of a man who pretended to be a policeman over the phone and persuaded restaurant management to conduct illegal treatments on an employee.

Looper

“Looper,” an action-thriller starring Joseph Gordon-Levitt, who plays Joe, tells the story of a hitman working for a crime syndicate who time-travels back to execute his future self (Bruce Willis). The movie is an intriguing and profoundly captivating action drama with a core that matches the concepts that power it.

Prime Video

Con Air

“Con Air” is an action-thriller that stars Nicolas Cage, who plays Cameron Poe, a recently paroled and former Army Ranger. Poe helps authorities reclaim a flight taken over by prisoners following a prison break onboard.

HBO Max

The Raid: Redemption

This action film significantly revolutionized the game and impacted many subsequent entries in the genre, notably the John Wick franchise. Iko Uwais plays a novice recruit of a special force charged with penetrating a high-rise building and bringing down a brutal drug kingpin. This movie is still one of the most exhilarating, imaginative, and brilliant action films in 2022 and is a must-see for this genre enthusiasts.

Beetlejuice

“Beetlejuice” is based on a couple, played by Alec Baldwin and Geena Davis, that perish in a car crash and become ghosts locked within their home, where they are doomed to witness its selling and makeover by a sleazy city family. The movie offers a vibrant and creative take on the afterlife, with a darkly humorous twist on the living dead.

Warner Bros. is Becoming an Entertainment Giant Again

The Fall of Golden-Age Hollywood Studios

By 2018, nearly every studio from the golden era of Hollywood had been overrun by outside influences. For decades, Metro-Goldwyn-Mayer had been thrown around by unscrupulous owners, never completely recovering. Columbia Pictures was sold in 1982 to Coca-Cola and later to Sony in 1989. Universal had survived five hostile takeover attempts during a 21-year period. Sumner Redstone, a struggling company, had stripped mined Paramount Pictures for cash.

Warner Bros. was the sole bastion of Hollywood, a beige-walled stronghold of filmmakers led by officials with entrenched Hollywood expertise.

AT&T Revives Warner Bros.’s Hopes of Dominating Entertainment Once Again

AT&T acquired Warner Bros. in June 2018 as part of a move to “bring a fresh perspective to how the media and entertainment firm operates”, as AT&T’s then-CEO Randall L. Stephenson phrased it at the time. AT&T chopped and burned its way through Warner Bros.’s ranks, installing CEOs with little or no Hollywood expertise in a bid to create a service like that of Netflix. They reduced expenses, stunning stars with unexpected distribution choices, and forced Warner to behave more like a technology firm than an entertainment one: This is the future!

Warner Bros. was divested by AT&T to Discovery Inc. as part of a $43 billion deal.

The 99-year-old film studio, which produced Harry Potter, Batman, and Bugs Bunny, will now refocus on its historic sweet spot as an entertainment corporation, or so Hollywood’s newest tycoon has pledged. David Zaslav, Discovery’s chief executive, will lead the new firm, which will be branded Warner Bros. Discovery, with no little degree of significance.

Message from David Zaslav

According to Mr. Zaslav, the CEO of Discovery, success is about artistic skill, both in front of the screen and behind the screen, and about struggling and struggling to establish a culture that supports that artistic imaginative and psychic. For the better part of the last year, he has waxed lyrical about the studio’s illustrious heritage, regularly paying honor to Jack, Harry, Sam, and Albert Warner, the brothers who started it all.

Mr. Zaslav expressed his desire to “dream big and dream daringly” in an e-mail to his new team. “Hallelujah,” a Warner Bros. supervisor wrote in a subsequent text message. Another studio executive, speaking on the phone, stated she was on a crazy spending spree for a good time, adding that Hollywood is once again a baby.

The Takeover has also been Met by Criticism

Others, on the other hand, were less enthusiastic. Mr. Zaslav is a leisure expert, having spent 15 years running Discovery, a cable television juggernaut, and before working at NBCUniversal. He does, however, lack film knowledge. Additionally, the acquisition carries a staggering amount of debt — almost $55 billion — that must be paid down as content prices climb. Mr. Zaslav may need to make some difficult decisions about asset allocation. How much money should be invested in film production and promotion? To what extent should a studio produce pictures for a one-time theatrical release? Should the primary objective be expanded to include film distribution for HBO Max, the company’s streaming service?

Hollywood as a whole is in the same frame of mind, exuberant one minute and gloomy the next. There is an indication that the theater industry is finally recovering from the coronavirus pandemic. The PG-rated “Sonic the Hedgehog 2” grossed a massive $71 million in North America over the weekend, the highest opening total for a film made by Paramount since 2014

Monica Vitti, the Italian Cinema Heroine, Passes on at 90

Monica Vitti, the multi-talented cinema star of Michelangelo Antonioni’s “L’Avventura” and other 1960s Italian alienation films, and later a prominent comedy actress, has passed on. Vitti was 90 years old at the the time of her demise.

Her death was revealed on Wednesday on Twitter by a former culture minister, Walter Veltroni, who stated that he had been urged by her husband, Roberto Russo, to announce her demise.

“Goodbye to the queen of Italian cinema,” current culture minister Dario Franceschini said in a statement.

The Works of Monica Vitti

In the 1960s, she was most recognized for her major performances in Antonioni’s films “L’Avventura,” “La Notte,” “Eclisse” (“Eclipse”), and “Red Desert.” The two were perpetual paparazzi targets.

“L’Avventura” brought her international recognition and acclaim for her portrayal of an icy calm woman who falls in love with the boyfriend of her missing girlfriend. In the final installment of the cycle, “Red Desert,” she portrays a lady who struggles with a profound, enigmatic psychosis as she struggles to cope with an altered industrial world.

Vitti’s blond hair and blue eyes set her distinct from other classic Mediterranean cinema actresses, such as Sophia Loren, who had dark hair.

Antonioni paid tribute to her performance during a special showing at New York’s Museum of Modern Art in 1999 to commemorate the completion of an Italian film restoration effort.

“The protagonist, Giuliana, goes through a profound personal crisis because of her inability to adapt,” he explained in statements read by his wife, Enrica.

Vitti and Antonioni did not collaborate again until 1980, following the termination of their partnership. At that moment, she shifted gears dramatically and began directing comedies, collaborating with top directors and some of Italy’s greatest actors, notably Alberto Sordi, a tragi-comic actor, in films in which Italians’ strengths and flaws were frequently represented.

While many of her films did not receive international release or critical recognition, her performances were well received domestically.

Vitti co-starred in Ettore Scola’s romantic comedy “Dramma della gelosia” with Marcello Mastroianni in 1970. (“The Pizza Triangle”). In 1974, she won the Italian Oscar’s equivalent, the David di Donatello, for best actress in Sordi’s “Polvere di Stelle,” one of five such awards she earned throughout her career.

In 1974, she starred in Luis Bunuel’s “Le Fantome de la Liberte,” a surrealistic examination of middle-class hypocrisy that is widely regarded as her final significant picture.

An Actress Different From the Rest

Her versatility set her apart from other actresses throughout her era.

She and Sordi roll on the sand in a notable scene from “Amore mio aiutami” (“Help me, my love”), exchanging slaps and blows. In one of her two English-language films, “Modesty Blaise,” she co-starred with Terence Stamp and Dirk Bogarde in an espionage parody.

Early and Personal Life

Vitti was born in Rome in 1931 as Maria Luisa Ceciarelli. As a teenager, she performed in amateur theatre performances before enrolling in Rome’s National Academy of Dramatic Arts to study acting. In 1954, she made her cinematic debut in Scola’s “Ridere Ridere Ridere” (“Laugh Laugh Laugh”). Her most recent film was 1989’s “Scandalo Segreto,” which was written and directed by her. She also starred in the film.

Her isolated lifestyle generated considerable curiosity about her health. In 1988, Le Monde stated that she died of a barbiturate overdose. In France, she was extremely popular, and her admirers were upset.

Her most recent public appearance occurred in 2002, during the world premiere of “Notre Dame de Paris.”

The Venice Film Festival honored her with the Golden Lion award for career accomplishment in 1995.

Italian Prime Minister Mario Draghi lauded Vitti as “a woman of tremendous irony and extraordinary talent who won generations of Italians over with her personality, bravura, and beauty.” She elevated the status of Italian cinema on a global scale.”

October Movie Theatre Sales Up; Signaling a Very Merry Christmas

Thanks to Halloween, theatres enjoyed good customer flow throughout October. From the looks of things, this holiday season is looking suitable for theatres too. Comscore records show that domestic box office stands to rake in over 600 million dollars this holiday season.

What Made October the Right Month

Virtually every week in October saw the release of a big film. Hits like Dune, Halloween Kills, No Time to Die, and Venom: Let there be Carnage were all opening on various dates giving theatres much need action. Thanks to these blockbusters, October will be the highest-grossing box office in 2021.

Theatres had taken a hit during the height of the Covid 19 pandemic. The recent improvements, though much appreciated, are still not at the pre-corona level. October only shows that the demand for movie theatres is resurfacing, and the business can expect a good business fortune in the coming months.

Domestic and international theatres have a lot to look forward to this holiday season, according to Shwan Robbins, the Chief Analyst at BoxOffice.com. This is thanks to some upcoming heavy hitters expected to roll out any time between November and December. First up is a movie that most fans have been anxiously waiting for, Eternals. The movie is set to roll out on November 5th. Staring famous actors like Angelina Jolie and Kit Harington, the movie is expected to attract a massive crow to theatres.

Two weeks after the release of Eternals, Ghostbusters: Afterlife by Sony goes live in theatres. This film stars Paul Rudd and is a continuation of the 1984 classic. Robbins added that these two films should see a good number of viewers make their way to the nearest movie theatre before December gets here with more movie goodness. Thanksgiving Day will see the release of Encanto, a Spanish animation that reminds viewers to mean toxic family dynamics before they become costly. Definitely, a must-watch for the whole family.

Next on the roster is House of Gucci, starring the one and only Lady Gaga. Viewers can not contain their excitement for the true-crime drama perfect for viewers of all ages. Once December rolls in, it’s all guns, blazing starting with the musical Westside Story by 20th Century Studios followed closely by Warner Bros’ The Matrix Resurrections.

In essence, December is dominated by Spider-man: No way Home. But before viewers get to enjoy Marvel’s most recent thriller film, they will be treated to Resurrections which will debut on HBO Max and in theatres simultaneously. It is essential to note CNN, Warner Bros, and HBO Max share the same corporate parent.

Then Spider-man: No Way Home debuts on December 17th. Based on previous performances by Marvel films, “Spider-man: No Way Home” may end up opening to $100 million or even more. If all goes as expected, 2022 holds the promise of good performance for theatres and BoxOffice. Viewers have their fingers crossed for a blockbuster movie from Marvel in 2022. Jeff Bock, the Senior analyst at Exhibitor Relations, told CNN Business that he believes Marvel has been the cornerstone of cinema for a hot minute now. He expects the new film to open big. Everyone expects a grand opening from marvel, and thanks to the hype around the film, it is highly likely to happen.

Top 10 Best Music Moments from Quentin Tarantino Movies

Pulp Fiction – “Misirlou” Changing to “Jungle Boogie”

While we don’t hear the full song, “Misirlou” by Dick Dale is the tune most associate with Pulp Fiction.

This may be because the song is the first thing we hear at the beginning of the film. It plays during the opening credits before being abruptly cut off by someone switching radio stations, only to stop on “Jungle Boogie” by Kool and the Gang.

Kill Bill Vol. 1 – O-Ren Ishii’s Entrance to the House Of Blue Leaves is Accompanied by “Battle Without Honor or Humanity”

“Battle Without Honor or Humanity” by Tomoyasu Hotei is no doubt the theme of the two-part saga, Kill Bill.

Even though many may think of the song’s commanding presence at the House of Blue Leaves even during The Bride’s epic sword duel with O-Ren Ishii, it actually appears sooner.

The extravagant melody plays in the background as the crime boss and Crazy 88 first enter the restaurant. The insertion at a relatively peaceful scene foreshadowed the bloodshed that was soon to come.

Jackie Brown – Jackie Brown Lip Syncing “Across 110th Street”

“Across 110th Street” has a strong presence as a theme.

It begins the film by playing over the opening credits of Jackie Brown. However, the truly defining moment of this movie’s theme comes at the end. After Jackie Brown survives the ‘repugnant shit’ she had to deal with, she’s sitting back behind the wheel of her car, lip syncing the lyrics to “Across 110th Street” by Bobby Womack.

Django Unchained – Django and Broomhilda Looking for “Freedom”

Anthony Hamilton and Elayna Boynton’s “Freedom” is a song filled with heartbreaking lyrics and darker themes that was too perfectly suited for Django Unchained.

The film is a raw portrayal of pre-Civil War in the South before developing into a tale of revenge. Its most noteworthy moment of this is during a flashback Django has of his attempt at escape with his wife, Broomhilda, which is intertwined with scenes of her torture.

“Freedom” plays throughout, making an already dark moment truly haunting.

Reservoir Dogs – “Stuck in The Middle with You” Plays as Mr. Blonde Tortures Marvin

The level of Mr. Blonde’s evil character is shown throughout the film, but its limits aren’t made crystal clear until the infamous warehouse scene.

He takes the time to change stations on the radio until it lands on “Stuck in the Middle with You” by Stealers Wheel, then proceeds to torture Marvin Nash by cutting off his ear. Before he can burn the man, however, Mr. Blond is shot by Mr. Orange with a round of bullets, the same moment the song abruptly cuts off.

A tune discussing the ‘wrong place at the wrong time’ theme matches Marvin’s predicament quite well.

Once Upon a Time in Hollywood – Sharon Tate’s Relationship with Music

Unlike other moments mentioned on this list, this one (or two) involves something much more lighthearted, and it’s all due to Sharon Tate.

Her connection with music is undoubtedly strong, and this is especially shown twice in Once Upon a Time in Hollywood. This first scene showcases her letting loose and feeling the music as she dances to Paul Revere and the Raiders’ “Good Thing” on her record player.

The second scene shows Sharon in tranquil bliss as her Porsche radio plays Buffy St. Marie’s cover of “The Circle Game” by Joni Mitchell.

Once Upon a Time in Hollywood – “You Keep Me Hangin’ On” Plays while Cliff Takes Out the Manson Followers

Vanilla Fudge’s “You Keep Me Hangin’ On” gets extra attention because of its place during the reimagined night of Once Upon a Time in Hollywood.

Stuntman Cliff Booth plays the song to enjoy his upcoming ‘journey’ when three members of the Manson Family barge into the Dalton household. Cliff, his dog, and Rick’s wife Francesca all jump on the intruders and make them regret ever stepping into the house.

Inglourious Bastards – Shosanna Getting Ready on the Premiere During David Bowie’s “Cat People”

David Bowie’s “Cat People” was the icing on the cake during the explosive ending scene of Inglourious Bastards.

It takes place at the premiere of a Nazi propaganda film held in La Gamaar Cinema, which is owned by Shosanna. She is unaware that her plans are to be sabotaged by Lt. Aldo Raine and the Basterds, who intend to show their own premiere for Third Reich on the same night.

“Cat People” plays over a montage of Shosanna as she gets ready for the event, which heightens the tension as the melody emphasizes both fury and elegance.

Pulp Fiction – Vincent And Mia Dancing To “You Never Can Tell”

Earlier, it was mentioned that “Misirlou” was the theme of Pulp Fiction, but Chuck Berry’s “You Never Can Tell” is perhaps the most defining moment in the film.

Vincent takes his boss’ wife, Mia, to the ‘50s-style diner Jack Rabbit Slim’s for fun. However, she eventually talks him into entering a dance contest. Their choreography to “You Never Can Tell” is spontaneous and amateur, but its charm gets them the grand prize.

Pulp Fiction – Mia Dancing to “Girl, You’ll Be a Woman Soon”

Urge Overkill’s cover of “Girl, You’ll Be a Woman Soon” by Neil Diamond is perhaps one of the most iconic moments.

Why? Because the build-up starts long before the time the song plays. The high from being crowned with the winning dance and holding strong chemistry ultimately makes things awkward for Vincent and Mia. Where Vincent escapes to the bathroom to collect himself, Mia dances to “Girl, You’ll Be a Woman Soon” in the living room.

However, the song only adds to Vincent’s conflicted emotions, which prevents him from noticing Mia’s error in mistaking the heroin in his coat for cocaine, leading to an overdose.

The Hottest Tickets at the Red Sea International Film Festival

The Red Sea International Film Festival highlights the unifying experience and richness of Saudi Arabia’s filmmaking talent. The event occurs in Jeddah’s historic old town, with various Arab and international stars attending. This year, the Red Sea International Film Festival released an early ticket bundle, giving enthusiastic movie fans a chance to choose the films they would like to watch. Here is a list of some of the hottest tickets at the long-awaited film festival:

1. Huda’s Salon

Hany Abu- Assad is the director and writer of the Huda’s Salon film. He is one of the popular Palestinian filmmakers who has received numerous Oscar nominations for his movies. With ‘’ Huda’s Salon”, Hany Abu takes viewers to Palestine, focusing on the challenges of Palestinian women.

The film is about a young mother, married to a jealous man, visiting Huda’s salon in Bethlehem. The ordinary visit turns sour after the owner blackmails the mother to work for the secret service of the occupying force.

2. Casablanca Beats

Nabil Ayouch is the writer and director of the film ‘’Casablanca Beats”. It was selected as Morocco’s best international feature film at the 2022 Academy Awards. It’s about a former rapper, Anas, who starts working at a cultural center in Casablanca. Anas uses non-traditional teaching techniques, encouraging his students to express and free themselves from the societal realities and traditions via hip-hop culture. This film shows the pains and challenges of societal traditions that can get in the way of a dream.

3. Feathers

‘’Feathers” is an Egyptian Cinema written and directed by Omar El Zohairy. It has triggered a debate on poverty in one of Arab’s most popular countries, Egypt, and received an award at the Cannes Film Festival. Though it has not received an Oscar nomination, it’s still one of the hottest films to watch at the Red sea festival. It’s about a woman who’s forced into a period of self-discovery as she struggles to support her family. This is after her husband gets turned into a chicken by a powerful witch. This film highlights the real challenges and sufferings that rural Egyptian women go through.

4. Becoming

Becoming is a film that brings to light how the Saudi filmmaking industry has evolved to support female filmmakers. It joins stories from five Saudi women directors to highlight the different sides of an evolving kingdom. Some of the examples in the film include the story of a bride who disappears on her wedding night. Another example is a story of an 11-year-old girl who visits her aunt’s place one day before the Friday prayers and realizes that she can freely talk and express all the things that she couldn’t tell her conservative parents. The stories are uncompromising and bold, featuring women who can change the future of the Saudi film industry.

5. The Lost Daughter

The Lost Daughter is a psychological drama film directed and written by Maggie Gyllenhaal. It is based on Elena Ferrante’s novel, also known as ‘’The Lost Daughter”. It’s about a woman obsessed with another woman and her daughter while on her summer holiday. It unravels her past as it prompts memories of her motherhood.

There are many other hot tickets at the Red Sea International Film Festival, including Ennio and The Gravedigger’s Wife. Viewers can book these tickets to enjoy the artistic work put in by Saudi Arabia’s Film industry.

Steven Spielberg’s Amblin Will Make Movies for Netflix

Two film entertainment bigwigs, Amblin, led by Steven Spielberg, and Netflix, have signed a deal that will allow the former to produce and release multiple films for Netflix every year. This partnership reflects Netflix’s exponential rise in the film industry and its acceptance among renowned directors, such as Spielberg. It also shows a change in the industry; an age when home viewing gradually renders movie theaters obsolete.

In a press release posted on 21 June 2021, Spielberg’s global film and TV studio and Netflix expressed their enthusiasm and support for the partnership. Although the article didn’t reveal many details about the deal, it quoted the leaders of both parties.

“Steven is a leader and visionary with great creativity. His compelling stories and characters have inspired many people around the world, including myself. Netflix is happy to partner with Amblin, and we’re zealous to come together with their (Amblin’s) team. Our staff is thrilled and happy to be part of this memorable and historical chapter of Steven Spielberg’s cinematic experience,” commented Ted Sarandos, Netflix Co-CEO, and Executive Content Officer.

Spielberg, who was reportedly opposed to Netflix’s inclusion in the 2019’s Academy Awards, also had something positive to say about the partnership: “From the first moment Ted and I sat down to discuss this agreement, we knew that we had a great opportunity to tell our stories together in a different way. Netflix provides a new platform for our films. Combine that with the stories we continue to tell with our long-term friends at Universal and other companies, this partnership provides me with a fulfilling experience of working with Ted, Scott, and their team at Netflix.”

The deal represents a significant win for Netflix, which will get a consistent stream of Amblin features, although it doesn’t guarantee productions by Spielberg Pictures. At the same time, Amblin will carry on working on films with Universal, a move meant to preserve and protect the traditional theatrical experience. While Amblin has worked with Netflix to distribute its movies and shows on various streaming platforms, this agreement is the most significant they’ve signed thus far.

According to Scott Stuber, Netflix Chief of Global Films, “Amblin and Steven and great entertainment are one thing. You can’t separate them. Their enthusiasm and creativity enable to create films that entertain and challenge viewers. We can’t wait to start working with Steven, Jeff, and the entire Amblin fraternity on a new chapter of film production that will captivate audiences for generations to come.”

The partnership comes when Amblin has solidified its niche in the film and TV industry by releasing movies that have bagged coveted awards. For instance, the Green Book won the Best Oscar Picture, while 1917 took three Oscar awards, two Golden Globes and accrued over $385 million in the global box office. Nonetheless, Amblin and Netflix had previously partnered to create The Trail of the Chicago 7, nominated to the Academy Awards.

The coronavirus pandemic in 2020 might have suggested to Steven Spielberg that movie-streaming platforms are not going away soon. However, it is the future of the film industry and provides many business opportunities for Amblin. Today, the theatrical experience is a super spreader of COVID-19, and consumers are happy to watch movies at home and pay a “premier” for that. That said, Amblin’s deal with Netflix is perhaps the best move for the company.

5 Best Movies About The Financial Crisis To Watch In 2021

Do You Remember the Great Recession?

Most people don’t find financial events very interesting. Unfortunately, when they do, that tends to be because something disastrous has happened. To name an example, consider the financial crisis of 2007 and 2008, which is sometimes called the Great Recession.

For those who could use a refresher, the whole thing was kicked off by the subprime mortgage crisis. Essentially, what had happened was that people packaged subprime mortgages into supposedly safe securities. Theoretically, even if one of the subprime mortgages failed, the rest of the security would retain value. In practice, what winded up happening was the bursting of the U.S. housing bubble, which wiped out subprime mortgages in horrific numbers. The U.S. financial industry was hard-hit, with the result that the international financial industry was hard-hit as well. On the whole, the Great Recession wasn’t as catastrophic as the Great Depression of the 1930s. However, that can be credited to the much increased willingness of world governments to intervene, thus preventing the global financial system from just collapsing on itself.

What Are Five of the Best Movies to Watch about the Great Recession in 2021?

Here are five of the best movies to watch about the Great Recession in 2021:

Inside Job

Technically, Inside Job isn’t a traditional movie. Instead, it is a documentary movie, which should shape interested individuals’ expectations about what they will see. In total, Inside Job can be divided up into five segments, which would how the conditions for the crisis came to be, how the U.S. housing bubble came to be, what happened in the crisis itself, whether anyone was held accountable for the crisis, and what the post-crisis situation was like at the time that it came out.

Larry Crowne

For people looking for something more entertainment-focused, there is Larry Crowne, which is a romantic comedy about a man who is forced to make severe life changes because of the crisis. On the whole, it is much more light-hearted than any of the other names on this list, as shown by the fact that it comes complete with a happy ending. However, one can nonetheless make the argument that Larry Crowne gives a look at what happened to a lot of people on the metaphorical ground as a result of the crisis.

The Big Short

The Big Short is one of the names that will come up the most in this context. In part, this is because of its high-profile cast, which includes well-known names such as Christian Bale, Steve Carell, and Ryan Gosling. However, it should also be noted that it provides a decent explanation of everything that happened, thus providing interested individuals with a good look at what went down. As such, if people are seeking something more comprehensive that is still storyline-driven, The Big Short could be it.

Too Big to Fail

Too Big to Fail is one more movie that sought to explain what happened in the crisis while remaining non-fictional in nature. However, it manages to stand out in a couple of ways. One, it focused more on the role that U.S. governmental figures played in the crisis. Two, it also gave more attention to how key executives with key firms were involved in the crisis.

Wall Street: Money Never Sleeps

Wall Street: Money Never Sleeps is a follow-up to the famous Wall Street from the late 1980s. As such, it follows the fictional character Gordan Gekko, who has been released from prison after being convicted of insider trading as well as securities fraud. The story isn’t real. However, it is set in the crisis, meaning that it can be an indirect way for interested individuals to learn about the latter.

How Hate Clicks Make It Hard to Be Positive about Movies

What Are Hate Clicks?

Clickbait has been a thing for quite a while. However, some forms of clickbait have turned out to be much nastier than others. For proof, look no further than the use of hate clicks, which convinces people to check out something by making them feel either outraged or something similar. It shows up in a wide range of places, with an excellent example being how it has had a corrosive effect on people writing about movies.

Why Do Hate Clicks Make It Hard to Write about Movies in a Positive Way?

Essentially, the issues comes down to a matter of numbers. Websites need revenue to survive, which in turn, means that websites need clicks. These two things aren’t one and the same. However, every single click represents the potential to make more revenue. As such, the people responsible for running websites have strong incentive to increase the number of people clicking on their links using the full range of options that are available to them.

Unfortunately, hate clicks are quite effective in this regard. Generally speaking, people have been bombarded by marketing their entire lives, meaning that they are quite good are just ignoring messages. Due to this, websites need to provide some kind of strong incentive to convince them to click in spite of that reluctance. For movie websites, evoking a powerful emotion is an easy way of doing so. It is possible for them to stir up a wide range of emotions. However, there can be no doubt about the fact that outrage is one of the most convenient choices.

After all, stirring up outrage is as simple as insulting something that the writer knows that the intended audience enjoyed, which can be done within the space of a single headline. Once outraged, people will click on the article, comment on the article, and speak out about the article on social media. Much of this conversation will be negative in nature, but that matters very little because that conversation will create more conversation, thus resulting in more clicks. On top of this, it should be mentioned that there are numerous preexisting conflicts crisscrossing the cultural landscape, meaning that there are a lot of people out there who are already primed to fight. If people responsible for running movie websites are inclined towards cynicism, well, suffice to say that it is very easy for them to make these preexisting conflicts to flare up by prodding sore points.

Is There a Way to Break Out of This Trap?

Of course, it is possible for movie websites to break out of this trap. After all, not everyone reads their articles because they want to feel outraged, meaning that there is plenty of room for those who want to seek something more positive than hate clicks. For that matter, it is important to remember that being positive isn’t the same as praising everything that the writer sees. It is very much possible for writers to criticize something without deliberately going out of their way to court antagonism.

The problem is that this kind of thing takes extra effort. Our rationality steps into the background when we are riled up, meaning that it is easy to get us to do things when we are angry. As such, it seems safe to say that the struggle between positivity and the pursuit of hate clicks among movie websites will continue for the foreseeable future.

20 Great Movies About Fathers & Sons That Will Make You Laugh & Cry

The relationship between father and son is unique. This film collection showcases a unique blend of love, humor, and complicated emotions as it focuses on fathers and sons.

About Time
Following his father’s advice, Tim is able to win the heart of the girl of his dreams. However, while Tim’s relationship with his father is touching, the film is rated R for language and sexual content.

Big Fish
As a child, his father would tell him fantastic and fantastical stories. You could get sucked into the fun stories and end up with some great personal memories.

The Boy Who Harnessed The Wind
He based his book on the real-life science in order to create this Netflix original movie that helps his Malawian village and family escape starvation.

A Goofy Movie
Max has a goofy, but well-meaning father in Goofy. An intense experience awaits the father-son duo, as they set out on a road trip together.

Chef
He moves to Miami to pursue his goal of opening a food truck, and it revives his passion for cooking because he is with his son in Miami. All of the food shots are excellent even though the film is rated R.

Finding Nemo
Marlin, Nemo’s clown fish father, is overprotective. When Nemo goes missing, Marlin and Dory will have to search for him.

Field of Dream
Kinsella holds a grudge against his deceased father, who was a baseball fan. When he connects with his estranged father, he gets an additional advantage in luring MLB players to the field.

Dad
Until his mother died, John Tremont had never worried about his father. Realizing that he has to care for his father’s misbehavior, John takes action and begins caring for his own son.

Disney’s Kid
He is only interested in his future if he runs into his younger self. Help Russ manage his troubled past. It is thought that father-son relationships do not apply. People are all searching for their inner child.

Bigfoot Family
In this Netflix original film, Bigfoot’s young son takes on an evil CEO in order to save his family and wildlife preserve. A father-son film, in which a mythical creature is added for good measure.

How to Train Your Dragon
Hiccup is a young Viking and an unlikely friend of mankind’s most dreaded enemy: a fearsome dragon named Toothless. Stoick and Hiccup are fixed thanks to Hiccup and Toothless’ hard work.

Kramer vs. Kramer
He discovers what it’s like to be a parent and to defend his family after his wife leaves him.

Star Wars Episode V: The Empire Strikes Back
Luke, in the second Star Wars movie, discovers who his father is. These quotes feature famous sayings.

Onward
In this animated adventure, two elf brothers go on a quest to save their father who is trapped in a faraway kingdom.

Billy Eliot
The unintentional open dance class has Billy in the middle of a boxing workout. When Billy discovers that he has dancing abilities, he is pushed to assert his talents. The conflict between Billy and his father does not alter because words have been removed.

The Lion King
When his father died, Simba was heartbroken, and as a result, his world crumbled. Following the death of his father, Simba has returned to Pride Rock to reclaim his birthright as king.

The Main Event
When Leo puts on a special wrestling mask, he discovers his hidden talent. Seeing that his mother has abandoned their house, Leo becomes determined to save the family.

17 Again
A 37-year-old father of two has to reconnect with his 15-year-old son, who he finds is a bit of a loser. The movie is worth watching to see how Zac Efron interacts with his “kids.”

The Pursuit of Happyness
This is based on a true story, and a real-life father becomes determined to raise his son when homeless. You may well cry while watching this film, which has a PG-13 rating.

Sleepless In Seattle
Single father Sam Baldwin has an eight-year-old son, Jonah. Still mourning, but speaking on the radio was their option. The radio story begins her adventure.